Edited by Kristine McKenna & Lorraine Wild
With Roman Alonso and Lisa Eisner
Introduction by Charles Brittin & Kristine McKenna
Hardcover / 9 1/2 x 13 in. / 216 pages / 150 duotones
ISBN 978-3-7757-2836-2
Published by Hatje Cantz in collaboration with Foggy Notion Books


    Throughout the 1950s, Charles Brittin was the unofficial house photographer for the Beat community that coalesced around the artist Wallace Berman. Brittin settled in Venice Beach, California in 1951, and his beach shack became a hangout for the Berman circle, which included actors Dean Stockwell and Dennis Hopper, artist John Altoon, curator Walter Hopps and poet David Meltzer, among many others. A self-taught photographer, Brittin was working as a mailman at the time, and spent much of his free time wandering the streets with a camera; he came to know Venice intimately, and his pictures of the town are freighted with a hushed beauty and forlorn sweetness. In the early 1960s the focus of Brittin's life shifted dramatically when he became involved with the civil rights movement. "I suddenly realized I was compelled to do something," Brittin recalls, "because the times demanded it." As a photographer for the Congress of Racial Equality, Brittin documented the dramatic non-violent protests that occurred throughout Southern California, and made a courageous trip to the deep South, in 1965, to assist with the registration of black voters. As the 60s progressed he documented the antiwar movement, and by the end of the decade was devoting most of his time to the Black Panther Party. These two very different social revolutions are at the heart of Charles Brittin: West and South.

     Charles Brittin was born in Cedar Rapids, Iowa in 1928, and at the age of eleven he moved to Los Angeles where he studied film at UCLA during the late '40s. He began taking photographs in the early '50s, and was a staff photographer at Charles and Ray Eames' Office during the late '60s. Following a twenty-year hiatus from photography that began in the mid '70s, Brittin picked up his camera again, and in the late '90s he began making experimental video works. Brittin passed away in Santa Monica on January 23, 2011.

C Magazine

The Charles Brittin Estate is represented by 
Michael Kohn Gallery. For information about photographic prints and portfolios please contact the Gallery